Wednesday, January 27, 2016

Best Pictures #7: 1927-28 (1st) Academy Awards Outstanding Picture Winner, Wings

by A.J.

1927-28 (1st) Academy Awards Outstanding Picture Winner
Wings, a romance and adventure epic set among WWI pilots, is the pinnacle of silent era spectacle and storytelling. Paramount executives were skeptical about hiring William Wellman to direct what would be the studio’s big road show picture for 1927. Wellman had been a flier during World War I and had seen combat, but he was younger and less experienced than the other directors in Paramount’s stable. In the end, he was able to convince Paramount producer and executive, Jesse Lasky, that he was the right man for the job. According to Welllman’s son, his father said to Lasky, “I’ll make this the best goddamn picture this studio’s ever had.” “Wild Bill” Wellman did just that and made one of the last great films of the silent era.
What sets Wings apart from any other war film, then or now, is its astonishing aerial sequences. For the close ups in the cockpits, actors Charles “Buddy” Rodgers and Richard Arlen actually flew their own airplanes. Arlen had flying experience from WWI, but Buddy Rodgers had to learn how to fly. A number of adventurous stunt pilots flew planes for the dogfight scenes. The planes fly very close to each other and dive straight towards each other and towards the ground. The fire from plane explosions and machine gun barrels are in color, which was painted in later. The shots of planes crashing to the ground are as real as they can be. In one shot, a stunt pilot broke his neck when the plane did not hit the ground in the way intended. The pilot survived and returned to the shoot six weeks later. The U.S. Army cooperated in the production by supplying hundreds of planes, tanks, pilots, and soldiers to be extras. A field was bombarded with real artillery to give it the right look of a battlefield. Perhaps most important of all, Wellman knew that the planes would only appear to whiz and zip through the air at incredible speeds if the sky was filled with big puffy white clouds to provide perspective for the audience. He halted production for 33 days waiting for clouds to appear over Kelly Field outside of San Antonio, TX to shoot the aerial combat scenes, much to the chagrin of Paramount executives. The wait proved to be a wise decision. The scenes in the air are thrilling and beautiful and you feel that the sky is full of peril. The final air battle sequence is incredibly elaborate; everything on screen looks hectic and dangerous.
The plot of the movie is about the friendship of Jack (Rodgers) and David (Arlen), two young men from the same town that dream of flying. Unbeknownst to each other, they are in love with the same girl from back home, Sylvia. Clara Bow plays Mary, Jack’s neighbor who harbors an unrequited affection for him. She enlists as an ambulance driver and crosses paths with Jack again in Europe. The romance in Wings is its weakest element, probably because it was added into the script last, to give Paramount’s biggest star, Clara Bow, a role in their big-budget roadshow production. Bow receives top billing and is appealing as the sweet girl-next-door Mary, but she did not like her role. She thought her character was merely a decoration and said Wings was “a man's picture and I'm just the whipped cream on top of the pie." She still gave a good performance along with the rest of the cast, both major and minor players. One notable standout is Gary Cooper, as Cadet White. He only has one scene early in the movie, but it demonstrated his considerable screen presence and launched his career.
Wings has a few cinematic “firsts” aside from its Outstanding Picture/Best Picture win. Wings was the first widely released film to feature, albeit very briefly, nudity—nude men are briefly seen from behind in a medical exam room at the recruitment office. Later in the film, a pair of military policemen walk in on Clara Bow changing and she is topless for a second. Wings is also the first of only four films to win Best Picture without also having its director nominated (the other films are: Grand Hotel, Driving Miss Daisy, and Argo).

For years Wings was thought to be a lost film until a print was found in the archives of the Cinematheque Francaise in Paris. It was selected to be preserved in the National Film Registry by the Library of Congress in 1997. In 2012, it was restored by Paramount Pictures. I am so glad that Wings was not lost and is readily available to watch on DVD because this is a film that everyone should see not only because of its place in film history, but also because it is an exciting and thrilling movie. It showed audiences something they had never seen before and presents flying as a dazzling adventure and also a seriously dangerous adventure. Wings leans heavily on spectacle and melodrama, but it is not an outdated antique. The story is simple, but when combined with technical mastery Wings becomes a film that would influence numerous great war films yet to come.

Nominee: Paramount Famous-Lasky
Producer: Lucien Hubbard
Director: William Wellman
Screenplay: Hope Loring and Louis D. Lighton, story by John Monk Saunders
Cast: Clara Bow, Charles “Buddy” Rogers, Richard Arliss
Release Date: August 12th, 1927
Total Nominations: 2, including Outstanding Picture
Wins: Outstanding Picture, Engineering Effects-Roy Pomeroy

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