Saturday, February 16, 2019

Best Pictures #46: 2018 (91st) Academy Awards: Bohemian Rhapsody

by A.J.

Best Pictures #46: 2018 (91st) Academy Awards Best Picture Nominee

“Is this the real life?”
My enjoyment of Bohemian Rhapsody corresponded directly with whether or not a Queen song was being played. The big budget Freddie Mercury/Queen biopic is at its best during scenes of the band in the recording studio or performing on stage. Rami Malek stars as Queen frontman Freddie Mercury. He emulates the way Mercury moved his body during performances and reproduces his captivating stage presence with a surprising degree of success. The scenes between the music, however, for Malek and everything else in the picture fall flat.
Queen was not an average band so it’s perplexing and flat out disappointing that the movie telling the story of the band and its flamboyant lead singer is so by the numbers and full of biopic clichés. Every scene feels like it has been transposed from any other musician biopic. There is the scene where the band has a rough start to a gig but wins over the audience. There is the scene of the lead singer being offered a solo album deal. There is the scene of a press conference where reporters only want to ask about the lead singer’s private life and not the new album. There is the scene of a record label executive telling the band that their most famous song will never be a hit. This scene is an eye-rolling low point mainly because the record executive who tells Queen that teenagers will never rock out to "Bohemian Rhapsody" in their cars is played by Mike Meyers (who starred in Wayne’s World where he famously rocked out to "Bohemian Rhapsody" in a car). There is even a scene where a fatal illness is signaled by a character coughing a few drops of blood on a tissue. This is the kind of biopic Bohemian Rhapsody is.
When he’s not imitating Mercury on stage, Rami Malek does a good enough job in the dramatic scenes but the oversized fake teeth he wears to look more like Mercury are distracting. Yes, Mercury did have a noticeable overbite but these false teeth make Malek look more like Bugs Bunny. The bland, basic biopic script doesn’t give Malek, or anyone else, much to work with in those dramatic non-music scenes. Mercury’s sexuality isn’t played down but it also isn’t fully explored. A montage of the band on tour (typical quick shots of tour buses, roaring crowds, etc.) shows Mercury, at the time married to Mary Austin (Lucy Boynton), glancing at and checking out other men. It’s unclear if Mercury is just looking at these men longingly or if he’s sleeping with them. The movie also never makes clear if the wolf-in-sheep’s-clothing record producer Paul (Allen Leech) is Mercury’s lover or just a hanger-on. We do get to see Mercury working through his inner struggles by composing some great songs, namely “Bohemian Rhapsody”.
The most original and exciting scene for me was the recording session of “Bohemian Rhapsody.” We see Brian May (Gwilym Lee) playing his guitar solo all alone in the empty barn serving as their recording studio. Then we cut to the rest of the band in the control room listening what the solo sounds like mixed with the rest of tracks. Mercury is like a conductor getting his bandmates to sing at the top of their vocal registers. First, they sing alone in the recording booth, then together, then all of those separate tracks are mixed together to create the final product. I once accompanied a musician friend when his band recorded in a real studio. This is exactly how a band records a song but I’d never seen a recording session portrayed this way until now.
Bohemian Rhapsody is definitely a Freddie Mercury biopic rather than a Queen biopic but each of the other band members get their due. After all, Queen is the only band that has had each of its members admitted separately to the Songwriters Hall of Fame. The bandmates argue about whose song should go on the album, whose song should be the single. These are some of the better scenes in the movie. I have to admit it was refreshing to see a movie about a musician that acknowledges and gives credit to other members of his band. Straight Outta Compton, about the rap group NWA, focused on 3 of its 6 members (a 7th member wasn’t included at all in the movie) and in the Johnny Cash biopic Walk the Line, which I like very much, Cash’s two long time bandmates barely have any lines at all.
There is a lot to tell in the story of Freddie Mercury and Queen so the movie rushes through the band’s beginnings—they’re signed to a record label and playing sold out tours in no time—to focus on Mercury’s personal struggles and the creation of several crowd-pleasing songs. Instead of feeling rushed, however, the movie still feels long and dragged out. The climax of the picture is Queen’s iconic performance at Wembley Stadium for Live Aide. Nearly their entire performance is recreated. This isn’t just the plot climax, it’s the emotional climax of the movie and I’ll admit to being overcome with the exact emotions the film was aiming to get out of me. Though as they played song after song I wondered, why not just show the real Live Aide footage? 
Despite being roasted by critics Bohemian Rhapsody was a box office hit finishing among the top grossing films of 2018 and it has picked up 5 Oscar nominations, including Best Picture and Best Actor for Rami Malek. I must admit I am baffled by the movie’s accolades and box office success. I presume that audiences and the people in charge of awards are responding to the great music of Queen and not the film itself. It certainly helps that the movie sends audiences out on the band’s most iconic performance of some of their best songs. But, you can get the same pathos and enjoyment from listening to Queen’s greatest hits and skipping the movie.
Nominees: Graham King, producer
Director: Bryan Singer
Screenplay: Anthony McCarten; story by Anthony McCarten, Peter Morgan
Cast: Rami Malek, Lucy Boynton, Gwilym Lee
Production Companies: 20th Century Fox, New Regency, GK Films, Queen Films
Distributor: 20th Century Fox
Release Date: November 2nd, 2018
Total Nominations: 5, including Best Picture
Other Nominations: Actor-Rami Malek, Editing-John Ottman; Sound Editing-John Warhurst, Nina Hartstone; Sound Mixing-Paul Massey, Tim Cavagin, John Casali

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