by A.J.
Night 6: Vampire Night
“I’m going to give you the choice I never had.”
There are only a handful of vampire movies that are so influential that they change the way people think about the undead creature and how they are portrayed in future movies. Among them are F.W. Murnau’s silent classic Nosferatu, Tod Browning’s Dracula (1931) starring Bela Lugosi, Francis Ford Coppola’s Bram Stoker’s Dracula (1992), and the 1994 big screen adaptation of Anne Rice’s novel Interview With the Vampire.
Anne Rice’s novel, first published in 1975, not only had the vampire as the main character, but the vampire wasn’t a villain. These vampires have complex personalities: moody, brooding, and profoundly sad. The novel and movie are best described as drama rather than horror; the characters undergoing an existential crisis just happen to be vampires.
As the title would suggest, the story is structured as an interview taking place in the present day (early 1990’s) between a radio journalist (Christian Slater) and a mysterious pale man who claims he is a vampire. Perhaps the journalist is putting together the most macabre episode of This American Life. The vampire is Louis (Brad Pitt) and he tells the story of his life as a vampire. This was a major role for Pitt that would help launch him to superstardom, but it is Tom Cruise as the charismatic, dastardly vampire Lestat who gives the standout performance. The casting of Tom Cruise as Lestat caused uproar and controversy at the time, which was quite a feat in the pre-internet era. His movie star persona seemed at odds with the character of Lestat who is more or less a villain in this story and anti-hero in later Rice novels. Rice was very publicly against the casting of Tom Cruise. She went as far as advocating for fans of the book to boycott the movie and saying that casting Cruise as Lestat was like casting Edward G. Robinson as Rhett Butler. However, after seeing the finished film she would publicly retract her protests and even took out a full page ad in the New York Times praising Cruise’s performance. In Cruise’s career, this performance really does stand out. It’s one of the few times he's played a villain and one of the few times he’s really gone broad with a performance, which is just what the movie needs. Lestat shows the appeal of being a vampire: he embraces having no remorse, overindulging in luxury and the superiority he feels as an immortal. Pitt’s Louis bears the weight of conscience and remorse and the disadvantages of immortality. Each character is overbearing in their own way, but since Lestat is the more lively of the pair his impatience with Louis feels surprisingly welcome, and adds some humor.
In a moment of weakness Louis attacks and feeds on a small girl and Lestat turns 12 year-old Claudia into a vampire child. Kirsten Dunst’s performance as Claudia is brilliant, proof of her innate abilities as an actress. They form a vampire family and these scenes are amusing in a dark comedy sort of way. These happy times are short lived and Louis and Claudia leave for Paris in search of other vampires and answers to their questions about their own existence.
There is a strong and blatant streak of homoeroticism throughout the film between Louis and Lestat and later between Louis and the old world vampire Armand (Antonio Banderas). A newer adaptation would explore this more, in fact, the recent TV series, very loosely based on the book, does just that. However, here the subtext is so loud that a more explicit or direct portrayal does not seem necessary. It’s obvious that Louis and Lestat are in a relationship, however toxic. When Lestat turns Claudia into a vampire it comes across like having a child to save a failing marriage; this turns out to be a mistake for both humans and vampires.
There is a fair amount of violence and horror effects, but because of the overall tone of the movie they hit differently than in a straightforward horror movie. They are usually punctuated by humor or sadness. Only in the climax, which almost feels like an action scene, are the horror effects played for shock. Special effects master Stan Winston (whose other credits Terminator 2, The Monster Squad, Batman Returns, and Jurassic Park) created the vampire effects and makeup. When Claudia attempts to murder Lestat by poisoning him and slitting his throat, Winston and the effects team built an emaciated animatronic Tom Cruise that writhes dying on the ground. This effect remains impressive even today.
This is a brilliant movie worthy of the lasting influence it has had on vampire stories and horror in general. You can watch it with a horror hesitant viewer since it is more of a drama than outright horror. Thanks to the well-played, deep emotions on display it has a great effect on a wide swath of people. No matter how many other versions or remakes, even if they are good, Interview With the Vampire will stand alone, unchanging and forever captivating.Interview With the Vampire is available to stream on Max and free on Tubi.
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