Summer Movies We Want to See

by AJ and Lani

If the robin is a harbinger of spring, then the first superhero sighting of the year must be a sign that spring has given way to summer. And so, with the arrival of Iron Man 3 in theaters last weekend, summer movie season has officially begun. We've looked at all the  films scheduled for release from May through August and picked out a few that we can't wait to see.

Star Trek Into Darkness (May 16)
A.J.: Large chunks of the internet bemoaned the delay of the next "new" Star Trek movie due to script problems, but I would always rather wait and have a good movie. I'm less suspicious and more excited about Star Trek Into Darkness than the 2009 reboot. Into Darkness follows the crew of the Enterprise as they track down a rogue Starfleet officer (that may or may not be Kahn) played by Benedict Cumberbatch. J.J. "lens flare" Abrams is in the director's chair again and with Star Trek and Super 8 he has proven himself to be a solid filmmaker. From the trailers it looks this is sequel has been given the same care as 2009's Star Trek. I suspect that the action sequences and special effects won't upstage the story and characters. 

Now You See Me (May 31)
Lani: The story follows an FBI agent and Interpol detective as they struggle to make a case against magician supergroup The Four Horsemen, who carry out elaborate bank heists while performing on stage, then give the loot to needy people in the audience. The assembled cast sounds great: Jesse Eisenberg, Isla Fisher, Woody Harrelson, Dave Franco, Morgan Freeman, Mark Ruffalo, Melanie Laurent, and Michael Caine. Plus, director Louis Leterrier, the man behind The Transporter and Transporter 2, knows how to combine action with unabashed foolishness. The moment in the trailer that got me was when Jesse Eisenberg is being interrogated by Mark Ruffalo and Eisenberg magically "throws" his handcuffs onto Ruffalo, then looks at him smugly and says, "First rule of magic, always be the smartest guy in the room." It was so ridiculous that I laughed out loud. I may be alone on this one, but this film looks so silly, so beyond all sense, that I have to believe it will be entertaining.




The Internship (June 7)
Lani: Owen Wilson and Vince Vaughn star as salesman who made their careers during the analog age, but find themselves out of job in today's digital landscape. They manage to land internships at Google and find themselves competing with tech-savvy college students for a coveted permanent position. Some of the jokes in the trailer were a bit stale, but it made me laugh, too. Remember Wedding Crashers? Remember Old School? Those were funny movies, right? I'm optimistic that the formula of Vince Vaughn + a Wilson brother will equal comedy once again.

The Bling Ring (June 14)
A.J.: This movie is based on the true story of a group of not-too-bright, fame-obsessed teens that broke into different celebrities' houses and robbed them. The Bling Ring is written and directed by Sofia Coppola; her last film, Somewhere, was big step towards the, unfortunately, dull end of the "art house" movie spectrum. However, The Bling Ring looks like it has more of the lively spirit of Coppola's previous movies. Coppola also brings out the best in the her female leads, so I'm excited to see Emma Watson in this movie, especially after her great performance in The Perks of Being a Wallflower.

The Lone Ranger (July 3)

A.J.: Despite the dubious casting of Johnny Depp as Tonto and way, way over-the-top action sequences in the trailers, I'm still interested enough to give Disney's big budget, big screen adaptation of The Lone Ranger a watch. I'm interested in seeing Armie Hammer in his first leading role in a major movie. He definitely has the screen presence to carry a movie, and I hope that the material doesn't let him, or the audience, down. It's the summer, so big action-packed movies can't be avoided, but with any luck this will be the right kind of summer action movie: pleasant to look at and listen to, and entertaining.

The Wolverine (July 26)

Lani: I'm fully aware that with each pick my cred as a serious cinephile continues to diminish. However, I will not apologize. X-Men Origins: Wolverine wasn't that good; however, this film has kept what worked about the last one -- Wolverine as a character and Hugh Jackman as Wolverine -- and changed everything else. The setting is modern-day Japan, where Wolverine meets someone from his past who offers him mortality at long last. The trailer has ninjas, katana swords, Yakuzas (maybe?), weird medical equipment, a blond mutant lady, and, of course, Jackman waving his claws around and yelling. I think these are all good things. Maybe I'm just a Jackman fan, maybe I want the X-Men to take back the spotlight from the Avengers; nevertheless, I remain cautiously optimistic.

My Favorite Performances of 2010

by Lani

The Golden Globes will be given out this Sunday. As every year, some of the nominations are a bit mystifying (was The Tourist supposed to be a comedy?), but I was happy to see that a few of my favorite films of 2010, like Inception and The Social Network, are in the running. The arrival of award season always inspires "best of" lists, and I am not immune. Since I have not seen every notable film of the year, rather than make a list of the best films of 2010 I have been thinking about which individual performances made the biggest impressions on me. Here's my list of favorites (not necessarily the best), in no particular order:

Tom Hardy, Inception
One thing I'm sure of after watching Inception? You don't want to be in a scene with Tom Hardy - that is, unless you're okay with him stealing it right out from under you. Hardy plays Eames, a "forger" recruited for Leonardo DiCaprio's dream-team. But he isn't there to make fake passports; within a dream, people can be forgeries, too. Among a cast with charisma to spare, Hardy was the standout for me.

Jesse Eisenberg, The Social Network
Jesse Eisenberg is not an actor whom I would usually describe as having an expressive face, but this trait is to his advantage in the role of Facebook founder Mark Zuckerberg, a character who keeps his emotions and motivations largely to himself. But then, with slightest curl of his upper lip, Eisenberg conveyed operatic levels of bitterness, contempt, and betrayal. If there were an award for best lip-acting of 2010, Eisenberg would be a lock.

Armie Hammer, The Social Network
In The Social Network, director David Fincher used cutting-edge technology to create the characters of identical twins Cameron and Tyler Winklevoss by filming actor Armie Hammer opposite a body double, Josh Pence, then digitally grafting Hammer's face onto Pence's body. The effect is seamless, but it works so well because Hammer makes each of the brothers a distinct, separate character - allowing the audience to just believe him when he says "I'm six-five, 220 pounds, and there are two of me!"

Kim Hye-Ja, Mother
Though she has been acting in South Korean film and TV for 30 years, Kim Hye-Ja was basically unknown to American audiences until her starring role in director Bong Joon-Ho's noirish suspense film, Mother. As a single mother determined to clear her adult son of a murder charge, she is engaging and exasperating from minute to minute. She faces the world with an expression of innocence and naivete, but by the end of the film you wonder just how much she has chosen to forget.

Ryan Gosling and Michelle Williams, Blue Valentine
I praised Ryan Gosling and Michelle Williams a couple of months ago, and despite all the great films I've seen since then, their performances as the troubled couple at the center of Blue Valentine are still at the top of my list. As Roger Ebert noted in his review of the film, it is one thing for an actor to age onscreen from 24 to 60 - old-age makeup and physical tricks can do a lot of the work. It is much more difficult to show someone at 24 and then at 30. The physical differences are subtle, the real changes occur within. Critics have been singling-out Williams's performance, and I would love to see her win an Oscar for it; however, I can't help thinking of Gosling and Williams as a unit - one performance couldn't exist without the other.

James Franco, 127 Hours
As with Williams and Gosling, I have praised James Franco in a previous posting, but this list would not be complete without mention of his intense portrayal of a hiker stuck between a rock and a hard place in 127 Hours. After his hilarious role in The Pineapple Express (2008), an impressive supporting performance in Milk (2009), and this one-man showcase - I am convinced that Franco can play anything and I can't wait to see his next film.

Honorable Mention: Rosamund Pike, An Education and Made in Dagenham
An Education is technically a 2009 film, but I didn't see it until February 2010, which makes Rosamund Pike's performance as dumb blonde, Helen my first "favorite" of the year. The character is meant to be a contrast to the precocious, plain Jenny (played by Carey Mulligan); but Pike took what could have been a stock "bimbo" role and made her more surprising, warm, and real than I ever expected. Later in the year, I took notice of Pike again in a small, but memorable role as an upper class housewife who befriends a striking auto worker (Sally Hawkins) in Made in Dagenham.

Others of note: Jennifer Lawrence, Winter's Bone; John Hawkes, Winter's Bone; Hilary Swank, Conviction; Sam Rockwell, Conviction; Helena Bonham Carter, The King's Speech; Emma Watson, Harry Potter and the Deathly Hallows Part 1