Saturday, February 1, 2020

Best Pictures #55: 2019 (92nd) Academy Awards Best Picture Nominee: Marriage Story

by A.J.

Best Pictures #55 
2019 (92nd) Academy Awards Nominee 

“Divorce lawyers see good people at their worst.”
Despite its annoyingly vague title, Marriage Story is actually about a divorce. On one level writer-director Noah Baumbach’s latest film feels like a divorce procedural. We follow a young attractive couple (Scarlett Johansson and Adam Driver) as they agree to keep things simple and not involve lawyers, then involve lawyers, begin a custody battle, and try to navigate all of the emotional and legal complexities of legally dissolving a marriage. On another level, Marriage Story is a showcase of brilliant performances ranging from subtle to ostentatious, comical to moving. I enjoyed Marriage Story far more than I expected though I hesitate to recommend it since very few people (myself included) are able to have a good time by watching people argue and get divorced for over two hours. The divorce gets rocky but the film doesn’t so much and if you are in the right mood for a relationship/divorce drama you’ll find a decent, somehow, feel good movie.
This is the kind of movie that hangs entirely on its performances. Fortunately, the leads and supporting players all turn in strong performances. Scarlett Johansson and Adam Driver have both earned Oscar nominations for their performances as the wife and husband seeking to uncouple themselves while remaining involved with their eight-year-old son and maintaining their careers. Both earn and lose and then earn back your sympathy. Charlie (Driver) is a successful New York theater director whose latest avant-garde production is headed to Broadway. Nicole (Johansson) once starred in a popular Hollywood movie but since meeting and marrying Charlie has committed herself to the stage. A Los Angeles native, Nicole has always wanted to spend more time on the West Coast and now has landed a role in a pilot that will likely become a series. Charlie thinks of them as a New York family and expects Nicole and their son to move back to New York once the pilot is done. When Nicole decides to officially file for divorce the real conflict between them begins.
Baumbach’s script does not overtly take sides though it leans toward Charlie, especially toward the end of the film. The explosive climatic argument between Nicole and Charlie gives a chance for both actors to express intense emotions, but it is Driver who gets to let out overwhelming pathos. A court appointed observer—played with welcome awkward comic deadpan by Martha Kelly—is assigned to visit and interview both parents, but we only see the visit Charlie. Charlie does his best to present as an ideal father before the visit falls into dark comedy. In a wonderfully delivered monologue early in the film, Nicole gives us her backstory, both life events and emotional. After this scene the perspective shifts to Charlie and never really shifts back to Nicole. We are as blindsided as Charlie is by claims on money and custody by Nicole’s lawyer.
Nora, Nicole’s flashy and smoothly confident high-powered lawyer, is played with impressive ease by Laura Dern, who has earned a Best Supporting Actress nomination. We’re just as charmed and dazzled by her as Nicole, and just as stung by her as Charlie. Alan Alda delivers some great low-key comedy as Charlie’s first divorce lawyer. He’s old enough that his hands shake but also old enough to know how bad a divorce can get, and how it will likely end, so, he recommends just starting there. On the complete opposite end of the spectrum is Ray Liotta as Charlie second divorce lawyer, a high powered and extremely expensive pit-bull. He speaks with such speed and ridiculous intensity that he can’t help but be funny and believable as a ruthless lawyer. Julie Hagerty is a welcome presence as Nicole’s actress mother. She has so much flighty warmth that she secretly helps Charlie find a divorce lawyer.
I’m sure certain viewers that have been through a divorce or even a bad breakup will find something relatable with the characters and situation in Marriage Story. I wouldn’t be surprised if other viewers find these characters and their situation unrelatable. Nicole and Charlie, though not wealthy, are in a very upper middle class bracket. They are so accomplished that momentous life changing events like landing a starring role in a TV show and earning an Emmy nomination for directing (Nicole) and winning a MacArthur “genius” grant (Charlie) are just background plot points. Whether you can relate or not, the performances from Scarlett Johansson and Adam Driver are of such a rare quality as to keep you invested in their emotional journey.
Nominees: Noah Baumbach, David Heyman, producers
Director: Noah Baumbach
Screenplay: Noah Baumbach
Cast: Scarlett Johansson, Adam Driver, Laura Dern, Alan Alda, Ray Liotta
Production Companies: Heyday Films
Distributor: Netflix
Release Date: November 6th, 2019
Total Nominations: 6, including Best Picture
Other Nominations: Actor-Adam Driver; Actress-Scarlett Johansson; Original Screenplay-Noah Baumbach; Supporting Actress-Laura Dern; Original Score-Randy Newman

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