Showing posts with label Adam Driver. Show all posts
Showing posts with label Adam Driver. Show all posts

Saturday, February 1, 2020

Best Pictures #55: 2019 (92nd) Academy Awards Best Picture Nominee: Marriage Story

by A.J.

Best Pictures #55 
2019 (92nd) Academy Awards Nominee 

“Divorce lawyers see good people at their worst.”
Despite its annoyingly vague title, Marriage Story is actually about a divorce. On one level writer-director Noah Baumbach’s latest film feels like a divorce procedural. We follow a young attractive couple (Scarlett Johansson and Adam Driver) as they agree to keep things simple and not involve lawyers, then involve lawyers, begin a custody battle, and try to navigate all of the emotional and legal complexities of legally dissolving a marriage. On another level, Marriage Story is a showcase of brilliant performances ranging from subtle to ostentatious, comical to moving. I enjoyed Marriage Story far more than I expected though I hesitate to recommend it since very few people (myself included) are able to have a good time by watching people argue and get divorced for over two hours. The divorce gets rocky but the film doesn’t so much and if you are in the right mood for a relationship/divorce drama you’ll find a decent, somehow, feel good movie.
This is the kind of movie that hangs entirely on its performances. Fortunately, the leads and supporting players all turn in strong performances. Scarlett Johansson and Adam Driver have both earned Oscar nominations for their performances as the wife and husband seeking to uncouple themselves while remaining involved with their eight-year-old son and maintaining their careers. Both earn and lose and then earn back your sympathy. Charlie (Driver) is a successful New York theater director whose latest avant-garde production is headed to Broadway. Nicole (Johansson) once starred in a popular Hollywood movie but since meeting and marrying Charlie has committed herself to the stage. A Los Angeles native, Nicole has always wanted to spend more time on the West Coast and now has landed a role in a pilot that will likely become a series. Charlie thinks of them as a New York family and expects Nicole and their son to move back to New York once the pilot is done. When Nicole decides to officially file for divorce the real conflict between them begins.
Baumbach’s script does not overtly take sides though it leans toward Charlie, especially toward the end of the film. The explosive climatic argument between Nicole and Charlie gives a chance for both actors to express intense emotions, but it is Driver who gets to let out overwhelming pathos. A court appointed observer—played with welcome awkward comic deadpan by Martha Kelly—is assigned to visit and interview both parents, but we only see the visit Charlie. Charlie does his best to present as an ideal father before the visit falls into dark comedy. In a wonderfully delivered monologue early in the film, Nicole gives us her backstory, both life events and emotional. After this scene the perspective shifts to Charlie and never really shifts back to Nicole. We are as blindsided as Charlie is by claims on money and custody by Nicole’s lawyer.
Nora, Nicole’s flashy and smoothly confident high-powered lawyer, is played with impressive ease by Laura Dern, who has earned a Best Supporting Actress nomination. We’re just as charmed and dazzled by her as Nicole, and just as stung by her as Charlie. Alan Alda delivers some great low-key comedy as Charlie’s first divorce lawyer. He’s old enough that his hands shake but also old enough to know how bad a divorce can get, and how it will likely end, so, he recommends just starting there. On the complete opposite end of the spectrum is Ray Liotta as Charlie second divorce lawyer, a high powered and extremely expensive pit-bull. He speaks with such speed and ridiculous intensity that he can’t help but be funny and believable as a ruthless lawyer. Julie Hagerty is a welcome presence as Nicole’s actress mother. She has so much flighty warmth that she secretly helps Charlie find a divorce lawyer.
I’m sure certain viewers that have been through a divorce or even a bad breakup will find something relatable with the characters and situation in Marriage Story. I wouldn’t be surprised if other viewers find these characters and their situation unrelatable. Nicole and Charlie, though not wealthy, are in a very upper middle class bracket. They are so accomplished that momentous life changing events like landing a starring role in a TV show and earning an Emmy nomination for directing (Nicole) and winning a MacArthur “genius” grant (Charlie) are just background plot points. Whether you can relate or not, the performances from Scarlett Johansson and Adam Driver are of such a rare quality as to keep you invested in their emotional journey.
Nominees: Noah Baumbach, David Heyman, producers
Director: Noah Baumbach
Screenplay: Noah Baumbach
Cast: Scarlett Johansson, Adam Driver, Laura Dern, Alan Alda, Ray Liotta
Production Companies: Heyday Films
Distributor: Netflix
Release Date: November 6th, 2019
Total Nominations: 6, including Best Picture
Other Nominations: Actor-Adam Driver; Actress-Scarlett Johansson; Original Screenplay-Noah Baumbach; Supporting Actress-Laura Dern; Original Score-Randy Newman

Tuesday, February 19, 2019

Best Pictures #49: 2018 (91st) Academy Awards Best Picture Nominee: BlacKkKlansman

by A.J.
Best Pictures #49: 2018 (91st) Academy Awards Best Picture Nominee

“If I had known this was a Klan meeting, I wouldn’t have taken this motherfucking gig.”
Spike Lee’s career is full of peaks and valleys. Lee has always been aware of the power of film to directly and indirectly affect and influence audiences. At times, he can be overly didactic and forget to capture viewer attentions with entertainment. Other times he perfectly blends his skills as a visual storyteller with a message or issue he wants to address with incredible results. His latest film, BlacKkKlansman, is definitely a peak. It tells the unbelievably true story of Ron Stallworth, a black undercover police officer who infiltrated the Ku Klux Klan in Colorado Springs in the 1970’s. Lee, working with a screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & himself, based on Stallworth’s book, bundles a true story, a crime thriller, and a social drama about race and racism together with a lively and even comedic tone for a film that is as entertaining as it is unsettling.
John David Washington (yes, Denzel’s son) plays Ron Stallworth, the first black police officer in Colorado Springs. Stallworth begins his career in the records room but after he is reassigned to the intelligence unit, he begins an investigation into the local chapter of the Ku Klux Klan. The rookie Stallworth makes a rookie mistake, however, and gives his real name to the Klan recruiter he speaks to over the phone. So, when the Klan wants to meet him, Stallworth enlists fellow undercover cop Flip Zimmerman (Adam Driver) to pose as white Ron Stallworth in person while he pretends to be white Ron Stallworth over the phone. Like I said, an unbelievable true story.
John David Washington handles both the lighter and heavier material in BlackKklansman with ease. His character never saw any conflict in being a both cop and a black person until he meets and begins a potential romance with Patrice (Laura Herrier) the head of the Black Student Union he was initially assigned to investigate. Adam Driver gives a great low-key performance as Flip. Driver portrays him as an average person that is very good at his job but finds himself in an unusual, extraordinary situation. It’s the kind of subtle performance that usually gets overlooked during awards season but Driver has managed to pick up a Supporting Actor Oscar nomination. Stallworth’s infiltration of the Klan over the phone leads to many conversations with the head of the KKK, David Duke. Topher Grace plays Duke almost too well, capturing the insidious affability and unassuming presence that was meant to be the new face of the Klan.
Throughout BlacKkKlansman, other movies are referenced to show the power of cinema in regards to race and culture. The movie opens with one of the most famous shots from Gone With the Wind and a recreation of a racist propaganda film from the 1950’s. The classic Tarzan movies and Blaxploitation films are also referenced. The most emotionally affecting scene for me comes when Harry Belafonte, as an elderly speaker at a Black Student Union gathering, shares how a harrowing injustice he witnessed as a boy was inspired by the silent epic The Birth of a Nation. In 1915, D.W. Griffith, a pioneer of early filmmaking who invented much of the basic language of cinema, made the first big budget, epic film. It portrayed the KKK as the heroes and protectors of post-Civil War white Southerners. After its release, it inspired hate crimes and revived the long extinct KKK. Film historians have long wrestled with how to present or teach The Birth of a Nation; it’s importance to film history is as undeniable as the movie is revolting. I think Spike Lee has finally found a way to present both the importance and the horrendous nature of The Birth of a Nation.
BlacKkKlansman seems to be unsure of what note it wants to leave the audience on. It is a very entertaining and even comedic story but also a serious one dealing with problems that are still unfortunately relevant today. Lee inserts real footage from the Charlottesville protests to emphasize that the KKK is still a real and dangerous threat (and of course he is correct). Though this documentary footage packs a powerful emotional punch, it would in any context and feels inorganically tacked onIt is one of a few missteps in an otherwise entertaining and powerful piece of cinema.
Nominees: Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, producers
Director: Spike Lee
Screenplay: Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee, based on the book by Ron Stallworth
Cast: John David Washington, Adam Driver, Topher Grace
Production Companies: Blumhouse Productions, Monkeypaw Productions, QC Entertainment, 40 Acres and a Mule Filmworks, Legendary Entertainment, Perfect World Pictures
Distributor: Focus Features
Release Date: August 10th, 2018
Total Nominations: 6, including Best Picture
Other Nominations: Director-Spike Lee; Adapted Screenplay- Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; Editing-Barry Alexander Brown; Original Score-Terence Blanchard