Wednesday, October 26, 2022

13 Nights of Shocktober: Dr. Jekyll and Mr. Hyde (1931)

by A.J.

This is my favorite time of year, second only to Christmas. Autumn has arrived, the weather is cooling down, and October becomes the month-long celebration of scary movies called Shocktober. So, for the days leading up Halloween I’ll be posting some horror movie recommendations to help you celebrate Shocktober.

Night 8: Classic Horror Night
“Things one can't do, are the ones I want to.”
Made only a few years into the sound era, the 1931 version of Dr. Jekyll and Mr. Hyde, directed by Rouben Mamoulian, remains an entertaining and effective horror film. This adaptation of Robert Louis Stevenson’s novella stars the great Fredric March as the good natured Dr. Jekyll and also the monstrous Mr. Hyde. Even at this time, despite their success and even their artistic merits, horror movies were produced as and thought of as B-pictures. However, March’s performance is so undeniably good that he won Best Actor at the 5th  Academy Awards (tying with Wallace Beery for The Champ). Like Dracula and Frankenstein, The Strange Case of Dr. Jekyll and Mr. Hyde has so permeated the culture that whether you’ve seen any film version or not, or read the novel or not, you are already familiar with the basic story. 
Dr. Henry Jekyll is a good natured doctor in London in the late 1800’s. He is not a saint but is pretty close to it. Still, he struggles with dark and unsavory impulses. He believes that every person has a light and dark side and that through his scientific experiments he can separate the two halves allowing the good half to live unburdened by the dark half. He also believes that the dark half, once its urges are satisfied, will simply fade away. While his fiancĂ© is out of town with her father, Jekyll conducts his dangerous experiment with results that are equally successful and horrific. 
The scenes of Jekyll transforming into Hyde are still impressive and pack good shock value even after 90 years. In this version, Hyde is manifested as an atavistic monster. His hair turns into thick wiry fur that covers his body and his teeth become sharp fangs. This suggests that Hyde, the dark side, embodies the animalistic origins of human nature. Jekyll makes his transformation into Hyde by drinking a bubbling potion (a cliched image, but satisfying to watch in a black and white 1930’s film). When he begins to transform the camera holds a tight close up on March as he chokes, makes pained expressions, and heavy shadows and dark spots appear on his face. The camera pans down to his transforming hands or swirls around the room and then reveals the hideous face of Hyde. One of the best things that helps ground this horror movie is that though Hyde has money and dresses like a gentleman, everyone is repulsed and frightened by his monstrous inhuman appearance.
The unfortunate object of Hyde’s obsession is a poor, lower class girl named Ivy (Miriam Hopkins) who Jekyll treated after she was assaulted. She tries to seduce Jekyll and he puts up little defense to the shock of his friend. The image of her leg swinging over her bed is superimposed over the following scene of Jekyll making excuses for his natural impulses. Her swinging leg fades slowly but never really leaves Jekyll’s mind.
Ivy is cruelly tortured by Hyde both physically and psychologically. He whips her back (offscreen) and torments her by reminding her that he can find her at any time, no matter where she goes or what she does. Hopkins, with her incredible performance as Ivy, is able to match March as both Jekyll and Hyde. She plays Ivy not just as the damsel in a horror movie, but as a victim of abuse. Despite the urging of her landlady, Ivy refuses to leave town or go to the police. Hopkins portrays Ivy’s plight so well that we understand her refusal to seek help. As the movie goes on, we find that Jekyll is perhaps not such a good natured person after all since he takes the potion voluntarily each night allowing himself to transform into Hyde and torture Ivy. When his fiancĂ© returns, he stops taking the potion only to find that now Hyde can emerge whenever he wants. 
The scenes of Hyde being chased by police have him leaping over stairs or swinging on chandeliers; everyone’s capes flap wildly. The ending is abrupt, which is typical of classic era films, especially horror movies. This is a great film to watch on any Shocktober night with casual or hardcore horror fans or classic film fans. This version of Dr. Jekyll and Mr. Hyde was made by Paramount Pictures to compete with the success of Universal’s Dracula and Frankenstein, also made in 1931. Without a doubt it deserves to stand alongside these other horror classics.  

Dr. Jekyll and Mr. Hyde airs on TCM on Saturday, October 29th at 11AM CT.

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