by A.J.
This is my favorite time of year, second only to Christmas. Autumn has arrived, the weather is cooling down, and October becomes the month-long celebration of scary movies called Shocktober. So, for the days leading up Halloween I’ll be posting some horror movie recommendations to help you celebrate Shocktober.
Night 6: Sequel Night
“And Jesus said to the man who was possessed 'what is your name?' and he answered, 'Legion, for we are many.'"
The Exorcist III & The Exorcist III: Legion
When author William Peter Blatty got the chance to direct an adaptation of his
novel Legion, an indirect sequel of sorts to his infamous novel turned
horror cinema touchstone, The Exorcist, he made a pretty faithful
adaptation, as you might expect. However, unhappy executives at Warner Bros.
demanded reshoots, including adding an exorcism and changing the title to The
Exorcist III. The final theatrical version was dismissed by audiences at the time and has only recently
received a fair reevaluation by cinephiles and horror fans. When I finally saw The
Exorcist III last year, I was pleasantly surprised, and chilled, even
despite obvious scenes of studio interference.
In 2016, Shout Factory released a Blu-ray restoration,
including a director’s cut with Blatty’s original footage, long thought to be
lost. To restore the missing scenes, the director’s cut, titled The Exorcist III: Legion, used footage from VHS copies of the original dailies, so
there is a dramatic shift in quality at times. It may not be exactly Blatty’s
original version but is closer to his novel. Overall, the two versions are not
drastically different, until the climax, even the intensely creepy tone is mostly
unchanged.
George C. Scott plays Lt. Kinderman, a Washington, D.C.
detective investigating a series of brutal Christian themed murders. The
forensic evidence points to a different killer for each murder but the
similarities between the killings point to the infamous Gemini Killer, who was
executed years ago on the same night a certain exorcism was performed on a
certain girl resulting in the death Father Karras, a Jesuit priest and friend
of Lt. Kinderman. The case takes an even stranger turn when Kinderman finds a
mysterious patient in a hospital psychiatric ward, Patient X, who claims to be
the Gemini Killer and resembles Father Karras (Jason Miller reprising his role from the first film).
Blatty’s novel is a murder mystery that meditates on
theology and good and evil. Both film versions play like a mystery whose
solution happens to be supernatural with the theatrical emphasizing the horror
aspects and Legion emphasizing the psychological. The ending of the
theatrical version doesn’t feel so much tacked on as it feels poorly set up. A
priest character added in reshoots is introduced at the beginning and then is
forgotten about until the climax when it seems like he shows up out of nowhere.
Still, the exorcism sequence makes good use of special effects and bloody,
gruesome sights, even if they are out of step with the rest of the movie. The
ending of Legion is a low key, almost anticlimactic note that leaves you
wondering about Kinderman’s final action.
Without a doubt the reason to watch either version is for
the chilling and frightening performance of Brad Dourif as the Gemini
Killer/Patient X, though only Legion contains his full performance. He
really steals the whole movie and keeps it from being just another middling
sequel. Even though he’s restrained in a straightjacket, Dourif exudes such
intensity that he still comes across as a real malevolent danger. These scenes
with light pouring though windows of his cell are
wonderfully creepy. In one shot Dourif leans back into the shadows and his eyes
become glowing red dots. Amongst all of the horror effects and other chilling
scenes, his performance, even in its reduced form in the theatrical version, is
either movie’s most terrifying element.
The Exorcist III works as a slow build to a spectacle laden finale and Legion
works as an intriguing psychological horror film. The Exorcist III is
now widely available on Blu-ray and various streaming services. The director’s
cut is only available as a bonus feature of the Blu-ray release
for now. Of course, neither version comes anywhere close to the terrifying
level of The Exorcist, directed by William Friedkin, but both succeed on
their own terms.
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