Showing posts with label Diabolique. Show all posts
Showing posts with label Diabolique. Show all posts

Saturday, October 25, 2014

13 Nights of Shocktober: Diabolique

by A. J.

This is my favorite time of year, second only to Christmas. Autumn has arrived, the weather is cooling down, and October becomes the month-long celebration of scary movies called Shocktober. There are a lot of horror movies out there, but as a genre, horror is still looked down upon by some mainstream critics and moviegoers. It doesn’t help that, admittedly, there are so few quality horror movies made but, like comedy, it’s a very difficult and subjective genre. So, in the days leading up Halloween I’ll be posting some recommendations for scary movies to help you celebrate Shocktober.

Night 7: "Don't be a devil. Don't ruin the interest your friends could have in this film. Don't tell them what you saw.'' Diabolique
Diabolique is a superb and masterful psychological thriller and mystery from France released in 1955. Almost right away you feel like you’re watching a top-shelf Alfred Hitchcock film. It has a deliberate style, skill, and humor that rival the best of Hitchcock’s work. In fact, legend has it that director Henri-Georges Clouzot secured the rights to the novel the film is based on only a half-hour before Hitchcock attempted to do the same.
The story is about Christina and Nicole, the equally abused wife and mistress of Michel, who plot the cruel man’s murder. The film is set largely at a boys' boarding school which Christina owns, but Michel runs poorly. He is rude to the staff and boys and saves money by buying cheap wine and spoiled fish. Christina is frail and reluctant to go along with Nicole’s plan to murder Michel. However, they drown him in a hotel and then dump his body in the school swimming pool. None of that is spoiler material because the movie really takes off once the body of Michel disappears. Then the game begins. Cryptic clues find their way to Christina and Nicole. Christina becomes remorseful and wants to turn herself in. Nicole won’t allow that.
To add to the stress Christina is feeling is the incredibly enjoyable character of retired police commissioner Fichet who, unasked, volunteers to take the case of finding the missing Michel. Fichet surely must be the blueprint for the rumpled, seemingly absentminded TV detective Columbo. Fichet seems to be more of a pest than a threat and comes off like a bored, old man playing detective, but if you pay close attention to the performance of actor Charles Vanel you know that Fichet is actually an excellent, but subtle detective.
Diabolique is not technically a horror movie, but it does have one of the most famous and most terrifying moments in film history. That scene is so notorious you might already know about it, but regardless of whether you know what is coming or not, it is still shocking to see with your own eyes. There is beautiful black and white cinematography and the scenes are staged with care for maximum suspense. There is a lot of humor in the movie, too. Nearly every minor character is comic relief, especially the boarding school staff and the boys with their gossip about Michel. This movie is a spooky mystery that will deliver that familiar unease and excitement you get from a great horror movie but without blood or monsters.

Sunday, March 31, 2013

Classic Movie Picks: April 2013

by Lani

Each month, I scour the Turner Classic Movies Now Playing guide for upcoming films that I can't miss. The highlights are posted here for your reading and viewing pleasure! (All listed times are Eastern Standard, check your local listings or TCM.com for actual air times in your area. Each day's schedule begins at 6:00 a.m.; if a film airs between midnight and 6 a.m. it is listed on the previous day's programming schedule.)


Game of Thrones returns to HBO tonight and I can only determine that my excitement for the new season has made me a bit bloodthirsty. How else to explain why almost all my picks for April revolve around murder?

Diabolique
4/7, 10 PM - Diabolique (1955)
On this evening devoted to masters of suspense, my pick would be this classic French thriller from director Henri-Georges Clouzot. Two women conspire to murder a cruel, abusive school master in a meticulously plotted crime; however, once the deed is done they continue to feel his presence - is it a ghost or did he somehow survive?

BONUS: 4/7, 2 AM - The Murderer Lives at Number 21 (1947)
Clouzot's first film is a bit lighter than the thrillers for which he's best known; however, murder is still at the heart of the story. Inspector Wens of the Paris police and his girlfriend Mila are like a French answer to Nick and Nora Charles as they track down a serial killer.

4/8, 8 PM - Roxie Hart (1942)
Ginger Rogers stars as the fame-hungry Roxie, who sees a murder trial as her ticket to stardom during the Roaring '20s, in this earlier version of the story made famous by the stage and screen musical Chicago.

4/9, 4:15 AM - The Verdict (1946)
This film bears little resemblence to the Paul Newman vehicle of the same name, starting with leading man Sydney Greenstreet. Warner Brothers supporting player Greenstreet and fellow character actor Peter Lorre are the stars for a change in this film about a "perfect crime." Of course, half the fun of a perfect crime is watching the perpetrators squirm as their plan inevitably unravels.

4/13, 10:15 PM - Unfaithfully Yours (1948)
In this screwball comedy from writer-director Preston Sturges, Rex Harrison played an egotistical symphony conductor who believes his wife has been unfaithful. During a concert he imagines three scenarios for dealing with her - including murder; however, his bumbling actions thwart his plans in the real world. Linda Darnell, "the girl with the perfect face," co-stars as the accused wife.

A Women's World: The Defining Era of Women in Film
TCM's Friday Night Spotlight this month features "woman's films" from the 1930s through 50s. The series is co-hosted by Robert Osborne and Cher, which would be incentive enough for me to tune in; however, the line-up of films showing life from a female perspective would be strong enough to draw me in without the promise of intros by Cher. I'm especially interested in the theme for week four, Women Taking Charge, featuring Ginger Rogers, Claudette Colbert, and (of course) Bette Davis.
4/26, 8 PM - The Great Lie (1941)
10 PM - Kitty Foyle (1940)
12 AM - The Palm Beach Story (1942)
1:45 AM - The Women (1939)